Bibliography
Artaud, A., & Corti, V. (2014).The theatre and its double. Richmond, Surrey: Alma Classics. Accessed 20th October, 2018
Bartleet, B. (2009). Behind the Baton: Exploring Autoethnographic Writing in a Musical Context. Journal of Contemporary Ethnography,38(6), 713-733. Accessed 15th November, 2018
Bartleet, B., & Ellis, C. (2009).Music autoethnographies: Making autoethnography sing: Making music personal. Bowen Hills, Qld.: Australian Academic Press. Accessed 20th October, 2018
Bochner, A. P., & Ellis, C. (2003). An Introduction to the Arts and Narrative Research: Art as Inquiry. Qualitative Inquiry,9(4), 506-514. Accessed 20th October, 2018
Brodkey L (1996) I-site. Literacy and Numeracy Studies 6(2): 17–30. Accessed 19th October, 2018
Brook, P. (2008). The Empty Space. London: Penguin Books. Accessed 27th October, 2018 Brown, D. (1992).
Butterworth, J. (2011) Jez Butterworth Plays: One. Nick Hern Books. Accessed 15th November, 2018
Clements, A. (2001). Music theatre. Grove Music Online. Ed. Accessed 14th November, 2018
Denshire, S. (2013). Autoethnography. Sociopedia. Accessed 20th October, 2018
Denzin, N. K., & Lincoln, Y. S. (1994). Entering the field of qualitative research. In N. K. Denzin & Y. S. Lincoln (Eds.). Handbook of qualitative research (pp. 1-17). Thousand Oaks, CA: Sage. Accessed 24th October, 2018
Duncan, M. (2004). Autoethnography: Critical appreciation of an emerging art. International Journal of Qualitative Methods, 3(4), Article 3. Accessed 24th October, 2018
Ellis, C. & Bochner, A. (2000) Autoethnography, personal narrative, reflexivity: Researcher as subject. In: Denzin NK and Lincoln YS (eds) Handbook of Qualitative Research. London: Sage, pp. 733–68. Accessed 19th October, 2018
Ellis, C. (2004) The ethnographic I: A methodological novel about autoethnography. Walnut Creek, CA: AltaMira. Accessed 19th October, 2018
Esslin, M. (2014). The theatre of the absurd. London: Bloomsbury. Accessed 27th October, 2018
Fuchs, P. (1991) Forward to The Music Theatre of Walter Felsenstein, ed. Peter Paul Fuchs (London, Quartet Books). Accessed 14th November, 2018
“Fidget Spinner.” Fluid Branding, www.fluidbranding.com/branded-office/office-toys/desktop-toys/fidget-spinner-1287817115.html. Accessed 15th November, 2018
Goebbels, H. (2015) Aesthetics of Absence: Texts on Theatre. Routledge, 1st Ed. Accessed 17th November, 2018
Groening, M. (1993) The Rich Texan first appearance, http://simpsons.wikia.com/wiki/The_Rich_Texan. Accessed 29th October, 2018
Hall, M. (2015) Music Theatre in Britain, 1960-1975. Boydell & Brewer. Accessed 15th November, 2018
Harvey, J., & Downes, M. (1999). Music and inspiration. London: Faber and Faber. Accessed 27th October, 2018
Heile, B. (2006) The Music of Mauricio Kagel. Routledge, 1st Edition. Accessed 17th November, 2018
Kraus, C. W. (2003). On hurting people’s feelings: Journalism, guilt, and autobiography. Biography, 26(2), 283-297. Accessed 24th October, 2018
Leslie, B. (2011) https://benjaminleslie.wordpress.com/2011/04/27/empty-roads-quiet-mind/. Accessed 28th October, 2018
Lovell, S. (2005). Seductive whisperings: Memory, desire, and agency in auto/biography. thirdspace, 4(2), 32-44. Accessed 24th October, 2018
Lukowski, A. (2017) “Jez Butterworth on 'The Ferryman': 'Tragedies End with Blood on the Stage'.” Time Out New York. Accessed 15th November, 2018
“Robot Check.” Amazon, Amazon, www.amazon.com/Small-World-Toys-Creative-Merry-Go-Round/dp/B005GYBYY6. Accessed 15th November, 2018
“Rotating Pinwheel Toy Animation Stock Video Footage - Storyblocks Video.” Royalty Free Stock Video, Footage, Backgrounds and More, www.videoblocks.com/video/rotating-pinwheel-toy-animation-hnulz-n2hzjd0bfinx. Accessed 15th November, 2018
Saarnivaara, M. (2003). Art as Inquiry: The Autopsy of an [Art] Experience. Qualitative Inquiry, 9(4), 580-602. Accessed 15th November, 2018
Salzman, E., and Thomas, D. (2008) The New Music Theater: Seeing the Voice, Hearing the Body. Oxford University Press. Accessed 15th November, 2018
Savran, D. (1986). The Wooster Group, 1978-1985: Breaking the rules. Ann Arbor (Mich.): UMI Research Press. Accessed 27th October, 2018
Shepard, S. (1984) Fool for Love and Other Plays. Bantam. Accessed 19th October, 2018
Shepard, S. and Wenders, W.(1990) Paris, Texas. Ecco Press, Accessed 19th October, 2018
Sparkes, A. C. (1996). The fatal flaw: A narrative of the fragile body-self. Qualitative Inquiry, 2(4), 463-494. Accessed 24th October, 2018
Sparkes, A. C. (2000). Autoethnography and narratives of self: Reflections on criteria in action. Sociology of Sport Journal, 17, 21-43. Accessed 24th October, 2018
Teplitzky, A. (2018) “Moving On” Script. Accessed 19th October, 2018
Teplitzky, A. (2018) Moving On (Musical Score, rendered using Sibelius 7 and Noteperformer Software). Accessed October 27th, 2018.
Wall, S. (2008). Easier Said than Done: Writing an Autoethnography. International Journal of Qualitative Methods,7(1), 38-53. Accessed 24th October, 2018
Wenders, W. (Director), Guest, D. (Producer), & Shepard, S. (Writer). (1984). Paris, Texas [Motion picture]. West Germany: Filmverlag der Autoren. Accessed 27th October, 2018
Yvonne, M. (2018) "The Rocky Horror Picture Show 8 Year Anniversay Show Presented by TLT @ Irving Theater 7-14-2018." YouTube. https://www.youtube.com/watch?v=QkO9d_PYqYM Accessed 29th October, 2018
Zahler, S. (2016) Bone Tomahawk. [Motion Picture] United States, Caliber Media Company. Accessed October 27th, 2018.
Bartleet, B. (2009). Behind the Baton: Exploring Autoethnographic Writing in a Musical Context. Journal of Contemporary Ethnography,38(6), 713-733. Accessed 15th November, 2018
Bartleet, B., & Ellis, C. (2009).Music autoethnographies: Making autoethnography sing: Making music personal. Bowen Hills, Qld.: Australian Academic Press. Accessed 20th October, 2018
Bochner, A. P., & Ellis, C. (2003). An Introduction to the Arts and Narrative Research: Art as Inquiry. Qualitative Inquiry,9(4), 506-514. Accessed 20th October, 2018
Brodkey L (1996) I-site. Literacy and Numeracy Studies 6(2): 17–30. Accessed 19th October, 2018
Brook, P. (2008). The Empty Space. London: Penguin Books. Accessed 27th October, 2018 Brown, D. (1992).
Butterworth, J. (2011) Jez Butterworth Plays: One. Nick Hern Books. Accessed 15th November, 2018
Clements, A. (2001). Music theatre. Grove Music Online. Ed. Accessed 14th November, 2018
Denshire, S. (2013). Autoethnography. Sociopedia. Accessed 20th October, 2018
Denzin, N. K., & Lincoln, Y. S. (1994). Entering the field of qualitative research. In N. K. Denzin & Y. S. Lincoln (Eds.). Handbook of qualitative research (pp. 1-17). Thousand Oaks, CA: Sage. Accessed 24th October, 2018
Duncan, M. (2004). Autoethnography: Critical appreciation of an emerging art. International Journal of Qualitative Methods, 3(4), Article 3. Accessed 24th October, 2018
Ellis, C. & Bochner, A. (2000) Autoethnography, personal narrative, reflexivity: Researcher as subject. In: Denzin NK and Lincoln YS (eds) Handbook of Qualitative Research. London: Sage, pp. 733–68. Accessed 19th October, 2018
Ellis, C. (2004) The ethnographic I: A methodological novel about autoethnography. Walnut Creek, CA: AltaMira. Accessed 19th October, 2018
Esslin, M. (2014). The theatre of the absurd. London: Bloomsbury. Accessed 27th October, 2018
Fuchs, P. (1991) Forward to The Music Theatre of Walter Felsenstein, ed. Peter Paul Fuchs (London, Quartet Books). Accessed 14th November, 2018
“Fidget Spinner.” Fluid Branding, www.fluidbranding.com/branded-office/office-toys/desktop-toys/fidget-spinner-1287817115.html. Accessed 15th November, 2018
Goebbels, H. (2015) Aesthetics of Absence: Texts on Theatre. Routledge, 1st Ed. Accessed 17th November, 2018
Groening, M. (1993) The Rich Texan first appearance, http://simpsons.wikia.com/wiki/The_Rich_Texan. Accessed 29th October, 2018
Hall, M. (2015) Music Theatre in Britain, 1960-1975. Boydell & Brewer. Accessed 15th November, 2018
Harvey, J., & Downes, M. (1999). Music and inspiration. London: Faber and Faber. Accessed 27th October, 2018
Heile, B. (2006) The Music of Mauricio Kagel. Routledge, 1st Edition. Accessed 17th November, 2018
Kraus, C. W. (2003). On hurting people’s feelings: Journalism, guilt, and autobiography. Biography, 26(2), 283-297. Accessed 24th October, 2018
Leslie, B. (2011) https://benjaminleslie.wordpress.com/2011/04/27/empty-roads-quiet-mind/. Accessed 28th October, 2018
Lovell, S. (2005). Seductive whisperings: Memory, desire, and agency in auto/biography. thirdspace, 4(2), 32-44. Accessed 24th October, 2018
Lukowski, A. (2017) “Jez Butterworth on 'The Ferryman': 'Tragedies End with Blood on the Stage'.” Time Out New York. Accessed 15th November, 2018
“Robot Check.” Amazon, Amazon, www.amazon.com/Small-World-Toys-Creative-Merry-Go-Round/dp/B005GYBYY6. Accessed 15th November, 2018
“Rotating Pinwheel Toy Animation Stock Video Footage - Storyblocks Video.” Royalty Free Stock Video, Footage, Backgrounds and More, www.videoblocks.com/video/rotating-pinwheel-toy-animation-hnulz-n2hzjd0bfinx. Accessed 15th November, 2018
Saarnivaara, M. (2003). Art as Inquiry: The Autopsy of an [Art] Experience. Qualitative Inquiry, 9(4), 580-602. Accessed 15th November, 2018
Salzman, E., and Thomas, D. (2008) The New Music Theater: Seeing the Voice, Hearing the Body. Oxford University Press. Accessed 15th November, 2018
Savran, D. (1986). The Wooster Group, 1978-1985: Breaking the rules. Ann Arbor (Mich.): UMI Research Press. Accessed 27th October, 2018
Shepard, S. (1984) Fool for Love and Other Plays. Bantam. Accessed 19th October, 2018
Shepard, S. and Wenders, W.(1990) Paris, Texas. Ecco Press, Accessed 19th October, 2018
Sparkes, A. C. (1996). The fatal flaw: A narrative of the fragile body-self. Qualitative Inquiry, 2(4), 463-494. Accessed 24th October, 2018
Sparkes, A. C. (2000). Autoethnography and narratives of self: Reflections on criteria in action. Sociology of Sport Journal, 17, 21-43. Accessed 24th October, 2018
Teplitzky, A. (2018) “Moving On” Script. Accessed 19th October, 2018
Teplitzky, A. (2018) Moving On (Musical Score, rendered using Sibelius 7 and Noteperformer Software). Accessed October 27th, 2018.
Wall, S. (2008). Easier Said than Done: Writing an Autoethnography. International Journal of Qualitative Methods,7(1), 38-53. Accessed 24th October, 2018
Wenders, W. (Director), Guest, D. (Producer), & Shepard, S. (Writer). (1984). Paris, Texas [Motion picture]. West Germany: Filmverlag der Autoren. Accessed 27th October, 2018
Yvonne, M. (2018) "The Rocky Horror Picture Show 8 Year Anniversay Show Presented by TLT @ Irving Theater 7-14-2018." YouTube. https://www.youtube.com/watch?v=QkO9d_PYqYM Accessed 29th October, 2018
Zahler, S. (2016) Bone Tomahawk. [Motion Picture] United States, Caliber Media Company. Accessed October 27th, 2018.